International units and currencies are fully supported.Allows semi-annual compounding for Canadian mortgages.Built-in mortgage calculator with complete payment schedules.Take a photo and store it with the property.Slide your finger to change the holding period from 0 to 12 months, and all of the numbers instantly update!.Edit values, view reports, and save changes for a single property.Little does he know it took me about 5 minutes to get the report ready." Honestly, I just met with an investor earlier today who kept ranting on and on about how he loved the presentation and how professional it was and it's so much better than his Excel sheets. "I am a very active realtor and have integrated the Property Evaluator app in my every day business. Now, I only use your app! You have done an amazing job of creating an efficient, effective and easy way of getting to the bottom line. "I have to tell you, as an investor I have designed a multitude of spreadsheets to crunch numbers on my deals. Real estate agents and lenders use it to create a flip analysis for their clients. Investors use it to analyze a flip before they buy the property. Whether you're investing in a foreclosure, short sale, REO, MLS listing, or commercial property, this app will help you run the numbers and perform your due diligence. Instead of going back to the office to crunch the numbers on a spreadsheet, you can do your property analysis on-site in a few minutes! Property Fixer is really helpful when you're driving around to scout properties. After entering some information about the property, you can view a flip analysis that shows your profit and return on investment for the flip. Property Fixer is the ultimate tool for real estate investors who are flipping properties.
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The USP of this command is that enables to easily restore the files. This is a small command-line program for OS X that moves files or folders to the trash. There are two utilities installable via Homebrew that can accomplish this: There's also a trash command developed by Ali Rantakari, but I haven't tested that one myself. You can grab my tools-osx suite from my site or the latest and greatest version from the GitHub repository. My version of trash will do all the correct things that aliasing rm won't (and hopefully nothing bad, but I've been using it on my own Macs for a few years now without any lost data), including: renaming the file like Finder does if a file with the same name already exists, putting files in the correct Trash folder on external volumes it also has some added niceties, like: it attempts to use AppleScript when available so you get the nice trash sound and such (but doesn't require it so you can still use it via SSH when no user is logged in), it can give you Trash size across all volumes. I wrote a set of bash scripts that add more Mac OS X-like command line tools (in addition to a number of the built-in ones like open, pbcopy, pbpaste, etc.), most importantly trash. I wouldn't advise aliasing rm to mv as you might get in the habit of rm not permanently deleting files and then run into issues on other computers or under other user accounts when it does permanently delete. It’s well-crafted on a visual and aural level, and it brings thrilling moments of claustrophobic dread and pain-fueled horror. Turi’s latest stretches a simple concept out to a feature-length with mixed results. She handles the horror well, too, contributing to more than one cringe-worthy moment. Weiss toggles quickly between melancholic vulnerability and feral fighter. She brings Lisa’s emotional arc to the surface while selling the hell out of her physical endurance test. Weiss more than capably carries the movie. That also means that Lisa’s more internal arc makes for a lackluster ending, especially compared to everything she previously endured. It’s effective as an experience but less so as a narrative whole. Instead, Turi seems more interested in using Lisa’s journey as a loose allegory for grief. Logic quickly collapses under scrutiny, and details that should seem important don’t matter much at all by the end. Turi doesn’t bother to fill in any blanks or handhold when it comes to answers or explanations. However, the true star belongs to the sound design, which gives a visceral, tangible quality to everything Lisa encounters. The filmmaker also brings the pain, putting his character the wringer. Turi injects some nightmarish imagery, both in the form of an antagonist and an aid to Lisa’s quest. It makes creative and innovative use of minimal space. The production design goes far in making the tunnel system feel more expansive, and it doubles as the only worldbuilding offered. When it counts down, bad things happen, prompting Lisa to think fast or suffer dire consequences. Lisa spends much of the early sequences learning the dangers of the tunnels and how it correlates to her timer. Much of that tension comes from the emphasis on time. Writer/Director Mathieu Turi finds innovative ways to create tension in a threadbare story that spends almost all of its runtime with a single character. Meander is almost entirely a one-woman show, with Lisa bellycrawling along the compact confines of the tunnel. The moment she finds her way out of the box, the true challenge begins Lisa must navigate her way through a tunnel system designed to kill her at every turn. When she comes to, she’s no longer on the road but trapped in a high-tech box with a timer strapped to her wrist. He slams on the brakes, and Lisa’s head collides with the dashboard. Then the radio announces news of a murder suspect at large, with a description that matches Adam. Alarm bells should trigger, but Lisa’s preoccupied with guilt and sorrow over the loss of her daughter. Lisa ( Gaia Weiss ) lies in the middle of the road, alone, until a driver, Adam ( Peter Franzen ), passes by and offers her a ride. It’s a bit too simple narratively, but it succeeds as experiential horror that brings intense, claustrophobic suspense. But Meander takes an even more straightforward approach, following one protagonist on her harrowing fight for survival. Both center on characters that awake in a bizarre sci-fi environment rigged with deadly traps, unaware of how they got there. It does not store any personal data.The imagery and setup for Meander invoke instant comparisons to Vincenzo Natali’s Cube. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. The following is from this Apple document: iCloud: iCloud storage and backup overview That storage is entirely separate than the iCloud Drive. So my frustration is that I am paying $20 a month for the larger storage and can't use it to back up my files. When I updated my storage to 1 TB a few months ago there was no indication that these limitations existed. If I have a 1TB cloud account I would like to use it like any other external hard drive without limitations on file size and I am hoping that Apple won't throttle the maximum number of files uploaded per day or per hour as other cloud services do. I hope that Apple has plans to remove the file size limitation very soon. So, after spending all this money for extra 1 TB storage it looks like I can't even use it to back up my iPhoto library or my iTunes library. Then when I disabled icloud Drive on my Mac and tried to upload to the drive through the web I ran into the 15 gig max file size limit. My file is 166 Gig so in order to back it up I would need equivalent free space on my local drive. I wanted to back up my iPhoto library from external drive to the Cloud and it said I didn't have enough room. It is working like Dropbox but there is no way to do a selective sync. The free space on the drive is the same as the free space on my local computer hard drive. My first impressions of iCloud drive are not good. I recently updated my iCloud storage to 1 TB in anticipation of making better use of it once the new Yosemite OS was released. "It immediately turns on my bullshit detector when somebody, instead of doing that, makes the announcement through a press release, a press conference, a web page or a documentary," Feder said. Meanwhile, Feder (the anthropologist at Central Connecticut State University) questioned why Merlin Burrows hadn't submitted its findings to a peer-reviewed journal, which would give other scientists the chance to vet the research. "These are the times of hunters and gatherers, rather than those of the creators and rulers of an extensive agricultural, cattle-breeding, maritime polity. "However, assuming the material is man-made (which is a big assumption), the date takes us, from a culture-history perspective, down to Palaeolithic and post-Palaeolithic times," Villarías-Robles told Live Science in an email. But, at least for this location, that date doesn't match up with an Atlantis-type society, he said. If the dating of the 10,000- to 12,000-year-old concrete specimens reported by Merlin Burrows is accurate, then those samples could be from the pre-Holocene formations, Villarías-Robles said. "Below these sediments are pre-Holocene sedimentary deposits and layers of fossilized sands that date from thousands of years earlier," said Juan José Villarías-Robles, study co-researcher and vice director of the Institute of Language Literature and Anthropology at the Center for Human and Social Sciences in Madrid. Researchers also found that Doñana National Park sits upon Holocene sediments that started to accumulate about 7,000 years ago. That study revealed that the park was above sea level during certain periods, including the Neolithic and the Copper ages. In a new study in the December issue of the Journal of Archaeological Science: Reports, researchers found that humans lived in what is now Doñana National Park about 5,000 years ago, according to an analysis of pollens and microscopic remains in the area's sediment. It's no wonder southern Spain is a spot of interest, as people did live there long ago. And Elena Maria Whishaw, director of the Anglo-Spanish-American School of Archaeology, published the 1929 book " Atlantis in Andalucia," (Rider & Company) which hypothesized that the region was a colony of Atlantis. In " Atlantis Rising," National Geographic announced that the network had found evidence that Atlantis was located in Doñana National Park, as did a 2004 study in the journal Antiquity. Merlin Burrows isn't the first group to claim that Atlantis is located in southern Spain. And with that money, we want to support the archaeological community." Ancient remains "We want to make an awful lot of money out of it. "What we really want to do is we want to franchise the find," Blackburn said. Merlin Burrows and Ingenio Films have made a 2-hour documentary called "Atlantica" about the finding, and Blackburn said he expects the companies to make more documentaries. However, by press time, Blackburn hadn't said which methods the laboratory used to date the concrete. The company gave these samples to a materials-analysis laboratory in Italy, which dated them to between 10,000 and 12,000 years ago, Blackburn said. Next, Merlin Burrows took samples of material - which is likely human-made concrete, Blackburn said - from the circle-shaped foundations and the possible temple ruins. "The Atlantis cities, which are very detailed in Plato's writing, are really there for everyone to see," Blackburn said. The team also found the remains of a long sea wall, as well as signs of a tsunami, which could be evidence of the cataclysmic event that drowned the society, Blackburn said. There, the team found several archaeological clues: large circles that were possibly the bases of ancient towers, the ruins of what the team claimed may be the Temple of Poseidon and a greenish-blue patina coating some of the ruins - all details that Plato included in his dialogues, Blackburn said. Text in these documents included Plato's descriptions that "in front of the mouth which you Greeks call, as you say, 'the pillars of Heracles,' there lay an island which was larger than Libya and Asia together." Such descriptions led Merlin Burrows to the Spanish coast, near the Strait of Gibraltar, Blackburn said. "We won't share that in a public forum at this stage," Blackburn said, adding, however, that he expects that the writing will be submitted for scrutiny "in the fullness of time." They also looked at another text, but Blackburn won't say which one. The company's researchers chose to look for the site in Spain after reading Plato's two dialogues on Atlantis, Blackburn said. (Image credit: Shutterstock) What they found A bird's-eye view of Doñana National Park. Via WLAN straight from the warehouse management system to the picker’s headphonesĪnd no longer needs to be read.” Nevertheless, it was not easy to convince theĮmployees of the modern system. Prevents transmission errors,” says Deneke. Instructions on which goods to place onto which pallet. Of using on-screen picking lists, the warehouse employee now receives voice Other external applications, recently also to a pick-by-voice solution. Using interfaces, the fully integrated warehouse management system isĪlso connected to the food corporation’s SAP system, to an EDI solution, and to The individual screen displays.” Warehouse Data Sent Straight to the Picker via WLAN “Users also praise the clear and concise design of “Even without IT skills, our employees canĮxtract all the relevant information from the system to ensure smooth order Project management and users alike areĮxtremely satisfied with the system. Of displays, in the GUS Group’s ERP system. In addition to warehouse management, DB Schenker now also maps itsĮntire order processing, goods receipt from the production plant, picking, and co-packing We cannot afford any delays or longer interruptions here,” emphasizes With ‘fast moving consumer goods’ that must be delivered around the clock and Very good preparation helped to ensure that the go-live went smoothly in theĬourse of a weekend with no impact on customer deliveries. “That was why we had no acceptance problems whatsoever.” “TheĪgile project method has the enormous advantage that the system users are onīoard right from the start,” says Kor Straat, branch manager at DB Schenker’sįallingbostel site. Module by module, always in coordination with the customer and users. Parameterizing, and, in some cases, programming and testing the new software Based on their findings, the IT specialists then set about configuring, “At these workshops, users were able to make suggestionsįor process adaptations and additional functionalities.” Smooth ImplementationĭB Schenker and its customer jointly evaluated the results of the Individual workshops together with the users,” remembers Dirk Nettersheim, GUS project For this purpose, the responsible personsĭivided the project into several parts. The agileĪpproach is based on the experience that many ERP projects are too complex toīe mapped in a comprehensive plan. Instead, they opted for an agile approach based on Scrum. Schenker, the food corporation and the GUS Group, chose not to rely on theĬlassic project management including functional specifications according to the The successor product GOS-OS Suite.” A “Somewhat Different” Migration Journeyįor the software launch, the team, consisting of employees from DB Have been working for many years with GUS, which is now replacing CHARISMA with “For one thing, their offer convinced us technically for another thing, we Several software manufacturers, but finally opted for GUS again,” says Deneke. That was why the contract logistics provider and itsĬustomer started looking for a new warehouse management system. To take action,” explains Thomas Deneke, IT manager at DB Schenker’s Badįallingbostel site. Management system of the conveyor technology supplier was outdated, so we had Technological developments have since undergone major changes. Warehouse was built in Bad Fallingbostel. Project was started with the GUS solution CHARISMA when a new DB Schenker The time have been relying on the solutions of the GUS Group since 1994. Pallets leave the loading ramp there every day, around 570 of which have beenįor their ERP, the food corporation and the former logistics partner at An average of 100 trucks with a total of 3,800 Responsible for the warehousing, pallet management, order picking andĬo-packing of display articles, and the construction of advertising displays at Has taken an experienced partner on board. That is a logistical challenge, for which the American corporation To ensure that the supply does not break down, the customer’s goods mustįind their way from the warehouse to the supermarket within 48 hours of the Management, picking, and co-packing with a fully integrated ERP solution. On behalf of an American food corporation, theĬontract logistics provider DB Schenker is now organizing its entire warehouse DB Schenker Modernizes Warehouse ManagementĭB Schenker completely modernized its high-bay warehouse in Bad Fallingbostel But then I thought, ‘You know what, I’m going to be freezing. “Because the song is called ‘Frozen’, the original idea was to go someplace where it’s really cold and where there’s snow, and we were thinking of shooting it in Iceland. In 1998, Madonna talked to MTV Asia about the shooting of the video: Just a performance video, but a really elaborate one using her, her clothes, and any shapes that would come out of her clothes. They were all going to split and break up and change into ravens and then change into dogs. All these figurative sculptures made up of bodies that were all multiple Madonnas. The original treatment was, like, massive piles of bodies in the desert. In an interview on the set of the video, Madonna described herself as a “mystical creature in the desert”.Ĭunningham talked about the original idea for the shoot: It portrays Madonna as an ethereal, witch-like persona, who shapeshifts into a flock of birds and a black dog. The music video, directed by British artist Chris Cunningham, was shot in a desert in California. The single also reached #1 in Finland, Greece, Hungary, Italy, Scotland, and Spain, and the top five elsewhere. On the Billboard Hot 100, “Frozen” peaked at #2, while in the UK Singles Chart, it was Madonna’s first single to debut at the top. A mid-tempo electronica ballad, the song talks about a cold and emotionless person.Īcclaimed by the music critics and often described as a masterpiece, the single was also a worldwide commercial success. “Frozen” was released as the lead single from Madonna’s seventh studio album, Ray of Light. In addition to damage and vitality resistance based on Potency, TKSH will reduce the target time of Telekinetic Storm by up to 50% based on TKSH's Integrity.Īs a regular ol' damage reducer this was nerfed, but it still has all of its bells and whistles: baked in stamina bonus, a flat reduction to physical damage on top of everything else, and a small immunity chance. (NEW) Main function of TKSH is a bog-standard percentage-based damage resistance effect, albeit a relatively weak one (the synergy with CoL is handy, though, and TKSH should be contested first). Scope of damage the spell will nullify increases with Potency. Messaging has been updated and it is now possible to cast using ambient light at the cost of a hit to duration. Now works as a "reverse IC," nullifying small hits but providing only token defense against larger ones. Significant rewrite, tantamount to a new spell. No change other than compatibility with the new stacking system. Threshold raised for how big an attack can be before IC stops further mitigation. Also due for a facelift and namechange (along with MaPP) but those did not happen in time for this release cycle. Substantially buffed and also reduces some incoming vitality damage. No longer provides damage resistance, instead returned to original design where it increases the difficulty of being aimed at by ranged attacks. In addition to direct damage reduction, also reduces some incoming vitality damage. For anyone else in the Bard's party, a substantially reduced (half of what the caster gets) damage barrier, but it costs no barrier slots for them (in effect, the Bard can give anyone an extra freebie amount of damage reduction). For the Bard, slightly buffed, takes less skill, and costs one less spell slot to learn. (NEW) Only token damage reduction to the caster, but also any weapon held by the aggressor (whether or not it was actually used in the assault) will be debuffed for a short time, similar in concept to the Cleric spell Curse of Zachriedek. In PvP, only damage dealt by the character being struck will be added to the attack. If the Barbarian is severely wounded, this damage will be increased further. A portion of incoming damage will be dealt to the next foe struck by the Barbarian. (NEW) Basic difficulty, requires two abilities in Path of the Flame, and two ability slots. With few exceptions, even a single ability will meet or exceed the previous cap. The roof on how potent percentage-based damage wards can be has been raised. Any given character can maintain two damage reactive wards on them at once. If the ability is not from your guild or an AP spell, it costs an additional +1 (two normally, one if it is a nominally zero cost). Most abilities consume one "ward slot," while a handful as noted consume zero. For example, Cage of Light counts as a damage reactive spell (it attempts to reduce combat damage) but Psychic Shield does not (it attempts to reduce spell effectiveness). This update introduces to the live game the notion of "ward slots." Specifically, these currently apply to "damage reactive" abilities, or those that direct attempt to reduce the amount of damage you are taking. The PvE nerf has been reverted, otherwise the same.įor those with access to TE, the chance for it to proc has been buffed. Spells marked as (NEW) are on a preview period. With that in mind, the currently up-to-date changelog is below. Tweaking can still happen, some spell work we wish to do will be incoming, and in general we are still happy to hear your experiences. This does not mean that everything related to damage barriers is written in stone, even though we believe at this point they are sufficiently functional to be an improved experienced. After some months of testing and tweaks, the Barrier Review is now live in Prime.
Coordinate assignments with writers and. Head of producing the magazine for publication. However, given del Toro’s history, it’s sure to be Frankenstein like we’ve never seen it before. Managing Editor for Filmmaker Magazine in Brooklyn, NY from November 2006 to January 2012. How he will adapt Frankenstein and what roles Andrew Garfield, Oscar Isaac, and Mia Goth will play remains a mystery. is here As you get your copy, please reply with a photo of you with the article using the. She also starred in Brandon Cronenberg’s Infinity Pool which premiered at the Sundance Film Festival.įrankenstein is one of the many projects Guillermo del Toro has in the works as part of his multi-year deal with Netflix. Mia Goth is best known for starring in X slasher trilogy as Maxine Minx and Pearl. He’s also reprising his voice role as Miguel O’Hara/Spider-Man 2099 in Spider-Man: Across the Spider-Verse. DM us cc WritersofColor' / Twitter moviemakermag Hello. SANTA FE, NM Today, MovieMaker Magazine named two New Mexico cities on their list of Best Places To Live and Work as a Moviemaker in 2022. Short Q&As are typically 100-150, reported, multi-source pieces start 200, and we go up from there. Oscar Isaac has also been keeping himself busy, earning much praise for his performances in Dune and the Marvel series Moon Knight. Were looking for freelancers to do short pieces starting at 100 and longer print features for as much as 800. Share on Facebook Share on TwitterThe next Jordan Peele movie will be released on December 25, 2024, three days after James Camerons third Avatar film. Andrew Garfield recently had quite a streak of successful projects including The Eyes of Tammy Faye, Spider-Man: No W ay Home, and his Oscar-nominated role in Tick, Tick… Boom! He most recently appeared in the Hulu series Under the Banner of Heaven before choosing to take a short break from acting. See more of MovieMaker Magazine on Facebook. Regardless, he’s clearly aiming high with actors who have major star status and whose talents are widely acclaimed. Our Fall 2022 cover of MovieMaker Magazine is here in all its glory We spoke with Ana de Armas and Andrew Dominik about. Guillermo del Toro is sure to give a unique take on Mary Shelley’s classic novel Frankenstein, although it remains unknown what sort of approach he is taking. |